About
From Ta-Shma to the stage.
Chuna Silverman grew up between two worlds — and decided not to choose.
תא שמע
The Torah was studied at night and the hip hop tapes wore out by day. For years those two lives ran on separate tracks. This music is what happened when they finally met.
Every song starts somewhere ancient — a verse, a prayer, a niggun half-remembered from a Shabbos table — and arrives somewhere new: trap drums, R&B chords, a pop hook you can't shake. The goal was never to modernize tradition. It was to let it breathe with chayus.
“Ta-Shma” means come and hear. That's the whole invitation. Press play.